The pandemic has left many people feeling frustrated and hopeless. Many people are looking for ways to escape their feelings, and some have found that in the form of escapism. This article explores how escapism can help with the pain of life during a pandemic.
The Love And Frustration In Times Of The Pandemic is a novel written by John Green. It tells the story of Hazel and her family as they go through the struggles of living in a world where there is no more sickness.
Covid-19 arrived and dramatically altered the world. Every element of our life has been influenced in some manner. Work, schooling, and relationships all came to a halt until we figured out how to go ahead. The entertainment industry was also severely affected. Suddenly, movie theaters became hazardous places, and home entertainment became the norm, allowing us to have our own pleasure in the privacy of our own homes.
Streaming services and the need for ever-increasing amounts of information have become the standard, and now that things have settled, a new wave of education, employment, relationships, and, of course, entertainment is being created every day. The One You’re With is part of a new kind of cinema that will become more prevalent in the future years.
C.Bailey Wegner, who also appears opposite Koko Marshall in The One You’re With, wrote and directed the picture. The tale follows a couple on their first date; as they decide to put their romance to bed, they are caught off guard when they wake up the following morning to find the nation is under lockdown and they are unable to leave the home. Now, for the foreseeable future, these two strangers must learn to live together.
The One You’re With is a great example of independent filmmaking. It features hipster characters, deals with relationships and the harshness of contemporary life, and even has an indie folk soundtrack with acoustic guitars and melancholy lyrics for good measure. All of these aspects seem to be fairly cliched from the outside. Nonetheless, the film rises above them all to become a really pleasant slice-of-life picture as well as one of the finest documentaries on how the epidemic impacted our lives.
The film starts out with a great concept, and the characters are engaging enough to keep the running time from becoming overly soapy, irritating, or dull. You might argue that this is the kind of film where the storyline is almost non-existent and the emphasis is on the characters’ interactions with one another and with the issue at hand. The narrative is then divided into tiny, readily consumable pieces, each focused on a particular element of life during the epidemic, according to Wegner.
People are losing their employment as a result of a lack of human connection, a malfunctioning internet, and the agony of waiting for goods to arrive. Everything is there, and every detail seems real because it was, and continues to be, for many individuals across the globe. As a result, Wegner has discovered a topic that nearly every human being on the world can relate to right now.
Wegner is an endearing protagonist. His appearance isn’t especially distinctive, which makes him an ideal everyman. Marshall is the same way; he’s attractive, but he seems genuine enough to be someone you know, rather than the phony idea of a supermodel as the girl next door. Both of these performances are excellent.
There’s nothing particularly noteworthy here, yet they’re natural enough to escape the artificiality that comes with poor acting. In their early days, they had enough chemistry to pass for a couple. In this part of the film, everything seems fairly nice.
The paucity of money is visible visually, but Wegner makes the most of the circumstances, and for a film about a pandemic, remaining in one place is ideal. By the conclusion of the film, your spatial awareness of the home is nearly as excellent as the characters’, implying that the film was able to convey, at least to some extent, what it’s like to live with these people. Even if the total duration is slightly under 90 minutes.
Aside from the pandemic setting, the film’s topics are rather ordinary. It has been very difficult for our generation to grasp the meaning of adulthood. Owning a home, earning enough money to have children, and living a happy life are all difficult objectives to accomplish today. So when the characters feel that surviving one day at a time is enough, it’s totally comprehensible and sympathetic. Instead of creating plans that, no matter how hard they strive, may never come to fruition. The mood is bleak, yet the film stays optimistic throughout, even as it nears its conclusion.
One of the greatest pandemic flicks is The One You’re With. Not just because it portrays the epidemic and everything around it in a realistic manner, but also because it features actual people who respond in a way that is both recognizable and relatable. Although it may bring up unpleasant memories for some members of the audience, the film’s positive sentiments will undoubtedly win over the majority of viewers.
The One You’re With is for you if you’re looking for a delicate romance film that seems more genuine than 90% of other films of its kind. Let’s wait and see what Wegner and Marshall have planned for the future.
SCORE: 7 OUT OF 10
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- relationships during covid